Archive for category Jewish Unity
Chanukah isn’t really over after the eighth night; in a sense, it’s just beginning. Watch this video to discover the disconcerting aftermath of the Maccabean victory and the enduring legacy of the Hasmoneans.
I can always count on my friend Daniel Jacobsen to pose simple questions with complicated answers. Whenever I see him coming at me with that look in his eye, I know my brain is in for some heavy lifting.
This time was no exception. “I’ve been wondering about the rainbow,” he began. Here we go, I thought. And I was right.
“Why did God choose something so beautiful as a symbol of destruction?”
Much has been made of the shape of the rainbow: even as the Almighty points the arrows of divine wrath away from us, it is only His promise to Noah that protects us from the natural consequences of our own moral corruption.
But what do the colors and the beauty of the rainbow signify? Here was another simple question that had never occurred to me. I told Daniel that I’d have to get back to him.
What is a rainbow but the refraction of white light into a multitude of colored bands? Like the air we breathe and the water we drink, we take white light for granted; by doing so, we fail to appreciate the very blessings that are most essential to our existence. Indeed, as Rabbi Moshe Chaim Luzzato observes in the introduction to his ethical classic Mesillas Yesharim, those things that are most obvious to us are the things most easily forgotten.
Only when moisture in the air disperses photons into a spectrum of color do we stop and marvel at the beauty of light.
In the same way, the unity of the Almighty that we declare daily when we recite Hashem echad is far too abstract a concept to guide us as we seek to infuse Godliness into our lives. We therefore partition the Divine “white light” of the Creator through the prism of human comprehension into 13 individual descriptive qualities on which we can focus one at a time.
When we do so, the primordial beauty of God’s indivisibility manifests in a rainbow of separate middos, or characteristics. Individually, they represent our journey; collectively, they represent our goal.
Now let’s apply the same principle to the Jewish nation as a whole.
An old joke tells of the Jew who proclaims his love for the Jewish people but denounces Steinberg as a cheapskate, Lebowitz as a crook, and Schneiderman as a nogoodnick. The sad reality, however, is that too often it isn’t a joke.
Does living in St. Louis make me an authority on the Ferguson riots or the Michael Brown shooting? On the one hand, local news offers a view of events more pure, more raw, and more personal than anything found in national coverage. More significant, perhaps, is how the fear of spreading violence, made real by advisory statements from local police and local rabbis, descended upon our community more palpably than the first snowfall of winter.
But let’s be honest. The violence hasn’t spread. Ten miles sounds perilously close to the images spilling over television screens around the world; but I was no more affected by the rioting than you were in New York or Israel or Madagascar.
In University City, St. Louis’s predominantly Torah observant neighborhood, you find an even mixture of middle-class Jews and middle-class blacks. The families next door and across the street from my house are African American, and we couldn’t wish for nicer neighbors. Indeed, for all the portents of spreading violence, not a whisper of civil unrest has disturbed our ethnically divided neighborhood… Baruch Hashem.
So who am I to opine on the Ferguson violence? Frankly, my perspective has more to do with what I do than with where I live. I’m a high school teacher. My subject is Jewish history.
So my first thought was that Jews have had plenty of cause for grievance over the generations. Relentless Roman pogroms, forced conversions by Almohad Muslims, massacres by the Crusader armies, the Cossack uprising in Poland, the expulsion of Jews from Spain (and Portugal, and Britain, and France, ad nauseum), the blood libels of Europe and North Africa and, of course, the Holocaust, have provided ample justification for a culture of entitlement based on historical victimhood.
And yet the Jews have never responded that way. Our collective equanimity comes largely from our religious sensitivity, which dictates that absolute justice is reserved for the World to Come; the best we can hope for in this world is an imperfect system that prevents, according to the teaching of our sages, man from swallowing his fellow alive. We need only watch recent news reports to witness what happens when the rule of law is abandoned.
And so, collectively, we have accepted with stoicism the injustices perpetrated upon us by the nations of the earth, defending ourselves when we could, resigning ourselves to Divine judgment when we could not. But we never responded with random violence, never vented our rage against one another, never burned down our own communities because we had no where else to direct our fury.
Well, almost never.
Finding the hidden meaning of Shemini Atzeres and Simchas Torah
What is the mysterious power of music? And how do we quantify the difference between the melodies that make us smile with tranquil joy, those that make us clap our hands, and those that make us leap to our feet and start to dance?
According to a study published in April by neuroscientists at Denmark’s Aarhus University, our dance reflex may have more to do with the beat that isn’t than with the beat that is.
“[It’s] not the ones that have very little complexity and not the ones that had very, very high complexity,” Maria Witek, the study’s lead author, told NPR, “but the patterns that had a sort of a balance between predictability and complexity.”
In other words, songs that have layered rhythm — a repetitive underlying beat that merges with a syncopated pattern interrupted by rhythmic gaps — entice our minds to fill in those empty spaces with our own creative expressions. Too much regularity and the brain can find nothing to add; too little regularity and the brain can’t figure out how to engage.
This study may have a basis in Torah. The 18th Century Torah giant Rabbi Samson Rafael Hirsch defines the grammatical root rokad which we translate as “dance,” as having the connotation of skipping orfrolicking. There is an experimental playfulness that manifests itself in the natural human desire to fill in empty spaces, dark corners, and awkward silences. When we feel something is missing, our creative juices start flowing in ways that often have to be stemmed by our more cautious impulses and our better judgment. But we dare not stifle those inclinations, lest the fear of taking chances causes us to miss out on priceless opportunities. Always, we strive for balance.
Traditionally, rokad means to dance in a circle, symbolizing the coming together of beginnings and endings, the totality of the human condition as bounded by the circumference of the material world, and our interdependence upon one another in fulfillment of a shared destiny. There is a sense of completion in a circle, of restored unity and achieved purpose. We dance with joy upon attaining the feeling of security that comes from filling in the gaps, tying off loose ends, and imposing order on chaos; we revel in the blended satisfaction of finishing one task in preparation for the new mission that lies ahead.
Adapted from an essay in Mishpacha Magazine for the Times of Israel.
Question: When is a new shul considered successful?
Answer: When it’s big enough to spawn its first breakaway minyan.
This past August, observers went to great lengths to show, correctly, the silver lining of achdus within the dark clouds of terrorism. The three martyred yeshiva students, the barrage of rocket fire, the mass retreats into bomb shelters, the cost of the Gaza operation in precious Jewish lives – all of these brought Jews in Israel and around the world together and, for at least a moment, put an end to the divisiveness that too often characterizes our community. Now, the brutal terrorist attack in Har Nof promises a similar response. This is a genuine consolation, and should not be discounted.
What compounds these tragedies, however, is the cycle of missed opportunity that has repeated itself again and again and again.
Read the whole article here: Revisiting the Cause of Terror | Yonason Goldson | The Blogs | The Times of Israel http://blogs.timesofisrael.com/revisiting-the-cause-of-terror/#ixzz3JdkIQb4p
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I hope you’ve had an opportunity to enjoy my last book, Celestial Navigation. Besides offering deeply thoughtful insights into the cycle of Jewish holidays, this project has raised over $11,000 for Block Yeshiva High School. But this was only possible through the generous sponsorships that enabled us to print and distribute 4000 copies.
A Crucible for Silver
Forging a brighter future for ourselves and our children
Not only has Block Yeshiva consistently turned out the highest caliber of spiritually and professionally successful graduates for 35 years; it is also one of the last high schools in the country that tailors its academic program to every type of Jew without compromising educational quality or halachic standards.
At a time when so many factions of our community have become more and more polarized, the continued success of schools like Block is increasingly difficult as well as increasingly crucial for the survival of both civil society and the relevance of Jewish tradition.
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Published in Ami Magazine, issue 171
This article is not about me.
It’s not about how I grew up virtually tone-deaf, or about how long it took me to figure out why Mrs. Pinkston, my elementary school music teacher, would bend down to place her ear directly in front of my face as the class sang together, giving me a curious look before moving on to circulate among the other students.
This article is not about the time I found my voice. I was a sophomore in college when, the first night of our dorm camping trip, someone started to sing as we stood around the campfire. I joined in, and out came a rich baritone no one had ever heard – including me. Everyone – including me – burst into laughter. I was a stringbean of a teenager, and my mouth had no business producing a voice like Enrico Molinari’s.
Neither is it about how I started to lead davening servicesafter becoming observant. I had already finished college when I began to learn aleph-beis; pronunciation did not come easily, and neither did nusach – the subtle, not-quite-random liturgical chant. But I was determined: whenever mastery of Talmudic texts eluded me, it was leading the weekday prayersthat gave me my only sense of real accomplishment.
It’s not about how I made the transition from weekday to Shabbos services. The head of my yeshiva was old-school: imperfect nusach was an offense to the congregation, and I was repeatedly disqualified as incompetent before finally being allowed to enter the regular rotation. My wife still groans when she recalls the countless hours of practice she had to endure in our tiny apartment.
It’s not about gaining confidence before the congregation, first for Shabbos, then for festivals, and finally for the High Holidays. A deeper intimacy with the liturgy and an appreciative congregationwere the rewards of my labors. Over time, Shabbos chazzan became part of my identity.
This article is not even about the day I lost my father when, according to the laws of mourning, I found myself disqualified from leading the Shabbos services once again after a quarter-century.
This is what it’s about: two women named Naomi and Ruth who, together, changed the world by laying the foundations of the Jewish monarchy.
* * *
The problem with having had a mentor who was such a stickler for davening is that I myself became intolerant of less than fully-qualified chazzanim. Mispronounced words, uneven rhythm, corrupted nusach, and dreary melodiesmade me wince and soured my entire shul experience. After all, I could do so much better myself.
Until I couldn’t. During my twelve months as a mourner, the only access I would have to Shabbos and festival davening would be as a participant, not as a leader. And faced with the inevitable, my whole attitude began to change.
What is a congregation? Is it not the creation of one out of many, a microcosm of the Jewish people’s experience at Sinai, when we stood together, k’ish echad b’leiv echad – like one man with one heart? And what does it say about me if I stubbornly critique the shortcomings of others instead of looking for every way that I can contribute to the collective?
The one-thousandth piece of a puzzle can remain apart, a shapeless splash of incoherent imagery whose only contribution is to leave an empty scar upon an otherwise perfect picture. But when it adds itself to the whole it does not lose its identity; rather, it becomes part of something much greater than itself while bringing completion to a thousand other pieces. By the same token, a single voice, no matter how sweet, will be hard-pressed to fill a decent-sized sanctuary. But add in the accompaniment of even a few moderately tuneful voices and instantaneously a rush of spiritual energy floods through the sanctuary and transports the parishioners to a higher plane.
Moreover, if one can use his talent anonymously to enhance the davening of another chazzan– or, by stepping into the breach, to spare him embarrassment when he stumbles — is there any expression of divine servicemore precious before the Almighty and more lovingly received before His court and His throne?
This is the divine magic of harmony, of unity, of the splintering of egos before the singularity of the Jewish nation. Together, we create more than we possibly can as individuals; and if, by losing myself among the many, I also forgo the recognition of individual accomplishment… well, what of it? Better second fiddle in an eternal symphony than first violin on some forgotten stage.
Which brings us at last to Naomi and Ruth, the real subjects of this article.
In a time of famine, in a generation beleaguered by national crisis, Elimelech took his family and left his land, forsaking his nation and his obligations as a leader among his people. And his wife, Naomi, acquiesced, following her husband for the sake of her family duties, despite whatever misgivings she may have had about their collective decision.
Did Naomi protest against Elimelech’s abandonment of the Jewish people? Did she try to dissuade her sons from taking foreign women as wives? We would assume so, although scripture gives us no clues. But Naomi stayed with her family until the bitter end when, bereft of everything she had once had, she sends her daughters-in-law back to their people and stoically accepts the justice of her fate alone.
But she does not remain alone. Wherever you go, I will go; wherever you dwell, I will dwell; your people are my people, and your G-d is my G-d. Can we begin to imagine Naomi’s reaction to these words, spoken by the daughter who refuses to abandon her, recompensing the dubious loyalty Naomi had shown the husband who led her away from her G-d and from her people, embracing her with a passionate expression of fidelity to return with her to G-d and to her nation?
Who must Naomi have been, to inspire such profound selflessness in a daughter of Moab, a nation so lacking in the quality of kindnessthat its sons can never be fully accepted as true converts even after ten generations? Who must Ruth have been, to put so much trust in her adopted mother that she would cut every tie to her past and strike out penniless into the unknown?
Is this Naomi? gasped the women who had known her before her departure, unable to reconcile the poor and lonely widow returning from afar with the visage of wealth and prominence they remembered. But it was Naomi, the same woman who had silenced her own misgivings to follow her husband, who now suppressed her own feelings of shame and abandonment to guide the migrant soul of Ruth toward finding a place among her new nation.
And it was Ruth who, having lost her new husband, Boaz, on her very wedding night, declined the spotlight and eschewed center stage upon the birth of her son as the women proclaimed, A child is born to Naomi! This moment was Naomi’s consolation for all she had lost, and far be it from Ruth to claim it for her own, however entitled she might have been.
Each a heroine willing to step aside before the will and honor of another, Ruth and Naomi both rise as shining stars, showing future generations the way of selfless harmony that blends disparate individuals into a holy orchestra, led forward in its mission by their great-grandson, King David, the sweet singer of Israel, and guided by the celestial baton of the Conductor.
I still feel my blood pressure rising whenever a chazzan fails to do justice to the beauty of our prayers. But now I hear the whispering of two women, reminding me that it’s not all about me, reminding me that I have a role to play even if it isn’t from center stage, and reminding me that when our devotion to one another outweighs all other considerations, then we will truly stand together as we did at Sinai, as one man with one heart, to merit the divine harmony of true redemption.